I knew of a public domain repository with nature sounds but the sounds were at a low resolution and didn't sound right. If you have any link let me know.Crush wrote:i think that it should be possible to get such generic sounds from public domain sources.
a little piece of music i made
Sorry for the one-month bump, but I live on a farm and could make some field recordings. My mp3 recorder can't record any higher quality than 128kps mp3 though. 
I really hope to buy a high-quality sampler soon.
P.S. Although purely acoustic music isn't my forte, I could try and whip something up maybe.
I really hope to buy a high-quality sampler soon.
P.S. Although purely acoustic music isn't my forte, I could try and whip something up maybe.
Sound Dogs is GREAT for royalty-free sound effects.
Earlier in this thread you mentioned live artists recording our music. Whether we have old-school or new-school music that should be a great idea. From your wording I inferred that you had not thought of recording each element of each song separately... the high part of a song played by a resident flutist combined with the low part played by a resident bassist combined with the percussion played by a resident drummer, for example. I think this would be an efficient method. Surely we have somebody who can splice these separate tracks well. In converting our songs to real-life instrumentation, I suggest great variance in the selection of instruments. I.e., put in uncommon instruments like a harmonica, didgeridoo, or jew's harp.
Earlier in this thread you mentioned live artists recording our music. Whether we have old-school or new-school music that should be a great idea. From your wording I inferred that you had not thought of recording each element of each song separately... the high part of a song played by a resident flutist combined with the low part played by a resident bassist combined with the percussion played by a resident drummer, for example. I think this would be an efficient method. Surely we have somebody who can splice these separate tracks well. In converting our songs to real-life instrumentation, I suggest great variance in the selection of instruments. I.e., put in uncommon instruments like a harmonica, didgeridoo, or jew's harp.
